And speaking of the Canon 5D Mark II, canon just announced a firmware update for it, enabling manual video exposure. One of the top customer feedback points. With the new firmware, you’ll be able to select the following in video mode:
Full aperture control
ISO Speed: Auto, 100 – 6400 and H1
Shutter speed from 1/30 to 1/4000
The update will be available here on june 2nd.
Thanks for listening Canon. Now enable a choice between 24 and 30 FPS shooting, and you’ve got a winner.
Did you ever wonder what happened to Vincent Laforet’s Canon 5D Mark II? No? Well, here it is being tested again!* In a true DV rebel style subway short (the subway is at the end) made by Stu. This is probably a more realistic and down to earth test of the 5D II’s video capabilities than the far fetching eye candy of Vincent Laforets Reverie, provided you know some stuntmen, and that you ignore the fact that it really is a true master of visual effects actually filming it.
* Actually, its way unlikely to be the same-same camera, but its a loaner from Laforet in any event.
There’s a new abbreviation to get accustomed to – DSMC: Digital Stills Movie Camera. With the merger of professional stills and professional video in DSLR-like bodies, we have a ‘new’ medium.
RED is an innovative camera company run by Jim Jannard. The previous flagship, RED One, was a revolution in digital movie capture, allowing RAW video footage (yes, just like RAW stills). Now Red has announced a whole new line of Digital Stills Movie Cameras, including the Epic and Scarlett systems. The systems are modular and interchangeable, for instance, you are able to use both Nikon and Canon glass. And the chips goes from 3k to a whopping 28k! in size.
Michael Reichmann of Luminous Landscape gives us the lowdown on this new line of gear.